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1. Steinber nuendo update#
2. Steinber nuendo pro#
3. Steinber nuendo software#
4. Steinber nuendo professional#

And, unlike its main competitor, you don’t have to pay a monthly subscription in order to use it! But if you have any interest in, or involvement with, audio post-production, video game or VR production, or sound effect creation, then Nuendo 11 contains almost everything you need, right there in one package. If your only interest is music-making then perhaps Nuendo’s feature set will be overkill. These brilliantly designed presets combine Nuendo’s built-in plugins to create realistic emulations of loudspeakers, room and environment ambiences there’s also a set of presets for simulating robotic voices. There are also 150 new effect plugin presets for use in post-production projects. And if these don’t satisfy your need for SFX, Nuendo now integrates closely with the Soundly app, making it easy to browse their vast online library and import content directly into Nuendo’s timeline.

Steinber nuendo pro#

Nuendo’s royalty-free content library has received a 7GB boost in the form of the Game Sound-FX and Pro Sound Effects libraries. In its unstated aim of achieving functional parity with rival DAWs, Logic Pro X 10.5 adds a wealth of empowering features and systems, including grid-based clip launching and an embarrassment of sampling riches.

Steinber nuendo update#

It’s quite incredible how far Studio One has come in the decade since its launch, and version 5 is mature, stable and an awesome update to an already superb DAW.

Steinber nuendo professional#

As the name might suggest, this variation on a standard loudness meter has its reference levels pre-configured in order to match Netflix’s published specifications.Īlso in keeping with those specifications, if more than 15% of the audio range contains dialogue, the module switches from a program-gated to a dialogue-gated loudness measurement – in other words, loudness is only measured during passages of dialogue.Ĭubase 11 not only adds some great new features but also evens up its three versions, delivering a professional option to suit most wallets. The system currently recognises English and German speech and can adapt its analysis to cater for the hearing impaired, as well as for situations where a voiceover overlays another dialogue track.Ĭhanges in the production landscape are reflected in the dedicated Loudness (Netflix) module. A score of 13 is considered unintelligible, 47 is “problematic”, and 8 or over is intelligible. The result is displayed as a moving marker on a bar graph divided into 13 segments. This uses AI-based speech recognition technology, developed by Fraunhofer IDMT, to calculate, in real-time, the effort a listener needs to expend in order to understand the dialogue within a mix. These brilliantly-designed presets combine Nuendo’s built-in plugins to create realistic emulations of loudspeakers, room and environment ambiences There are 150 new effect plugin presets for use in post-production projects. Three of the modules are exclusive to Nuendo 11, the first of which is a simple Leq(m) readout, which displays a cumulative average volume level for the buss that it will be measuring. The different visualisations are provided for you as modules, and cover level and loudness metering, spectral readouts, phase meters, surround meters and waveform displays. The new Supervision plugin provides you with a comprehensive metering solution that can show you up to nine visualisations within a single, resizable, plugin instance. Neundo 11 Atmos Renderer (Image credit: Steinberg) What did you say? This is fine when setting up for a new project, but can be tricky if you wish to convert an existing project created using an unsupported configuration. If there’s any downside it’s that the internal Dolby Atmos renderer doesn’t support all main mix output configurations (2.0, 5.1, 5.1.4, 7.1 and 7.1.4 are supported). Also, creating a finished multichannel ADM wave file involves just a click-or-two.

Steinber nuendo software#

Nuendo has been able to work with external Dolby Atmos renderers – hardware and software – for a while, and still can, but the new built-in renderer brings the entire Dolby Atmos production pipeline under one roof, along with attendant workflow improvements.įor example, tracks in your project can be added to the Atmos configuration with just a click or two and will bring with them any panning automation that you have set up on the source track. It also solves the problems associated with trying to produce a surround sound mix that will remain convincing (or as convincing as possible) irrespective of the surround configuration and speaker layout used for playback.

For those who don’t know, Dolby Atmos is a multichannel surround sound technology that includes height channels alongside the regular front-back/left-right channels. Nuendo 11’s biggest headline-grabber is that it now has a built-in Dolby Atmos renderer.